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a8bimi0o · Posted: Wed 14:23, 20 Apr 2011 Post subject:

很久没有完整的看完一本书了。
整本书的中心思想是低落的，结局略带伤感，这可能是每个男主角都幻想能有个米莱似的女主角被男猪脚冷淡。
段落大意就不帮大家分析了，有时间可以看一看，至少在闲暇时光可以偷着乐一乐，嘲讽一下。
我也很久没看韩寒的书了，记得笑的最过瘾的是看《像少年啦飞驰》小宇宙那段，可惜有些忘记了。
随手找了一个读后感，说的挺有理，我不就编了。
还有在书里我温习了一个词语，排比句，感觉这个词，真是陌生又熟悉啊。

“你跟我走，去找到泥巴，我帮你把龙猫找回来。”
――《他的国》
不论之前韩寒给我留下什么样的印象，《他的国》却让我看到了一个对我们的时代有所反思的韩寒形象。《他的国》男主人公左小龙近似加缪笔下的“局外人”。他默默关注着他所居住的亭林镇日益被现代文明侵蚀、糟蹋，人性沦丧，但与“局外人”略微不同的是，他曾试图改变局面，尽管徒然，但他依然在努力着,[link widoczny dla zalogowanych]，在他看来，希望始终在前方。小说中，爱情只是一条副线，主线仍是亭林镇经济飞速发展中带来的环境污染、文化衰竭等问题。因为招商引资，外来廉价劳动力愈来愈多，本地人生存受到压力，但由于外来人口激增，又促动本地消费，本地人依靠房租、饭馆等第三产业获得不菲收入。由于目光短浅，乡镇领导对工业污染、房产商圈地等事情置若罔闻，变本加厉地扶助奸商，损害民众利益。　　韩寒运用想像力，采取拉美魔幻现实主义手法，营造了一个变异的亭林镇，充满怪诞风格。比较机巧的是，韩寒在书中设置的两个一直保持清醒的人，除了左小龙，还有盲人刘必芒。刘必芒眼盲心亮，是全镇惟一与左小龙能够畅谈亭林镇时事并做出冷静分析的人。刘必芒不愿意宰杀变异动物，导致餐馆倒闭，这也象征着理想主义者在现世的落败。遗憾的是，刘必芒这一人物形象目前不够丰满，很多语言非常概念化、说教化，显然，这需要韩寒进一步再塑造。　　在书中，韩寒以幽默、犀利的语言,[link widoczny dla zalogowanych]，自信而张扬地调侃浮躁的社会现实，对官僚主义、“经济搭台、文化唱戏”、计划生育、拆迁、教育、现代派诗歌、“走进科学”等一系列热点问题，毫不留情地进行后现代式的反讽、嘲弄，包括他的同行、青春文学写手郭敬明以及他自身都无一例外地成为笔端讽刺的对象。《他的国》里,[link widoczny dla zalogowanych]，文化全盘崩溃，大家成了无根的人，成了随波逐流、趋炎附势的人。
回到韩寒为《他的国》写的那段序言
“就算你在大雾里开车摩托车飞驰找死，总有光芒将你引导到清澈的地方。”
我们都在寻找着生活的方向，纵然现实有多么不如意，纵然有多少惆怅多少迷惘，总有光明将我们引导到清澈的地方……
希望最后我们都能找到心中的太阳。